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In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song.〔Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians''. ISBN 0-674-00978-9. p.693〕 The turnaround may lead back to this section either harmonically, as a chord progression, or melodically. ==Typical turnarounds== Typical turnarounds in jazz include: *I-vi-ii-V〔 (ii-V-I turnaround, circle progression) *I-VI-II-V〔Boyd (1997), p.86.〕 (I-V/ii-V/V-V) *I-iiio-ii7-V7〔Boyd (1997), p.90.〕 *I-vi-VI711-V *V-IV-I (blues turnaround) *I-III-VI-II7 (Tadd Dameron turnaround) Turnarounds typically begin with the tonic (I) and end on the dominant (V7), the next section starting on the tonic (I). They may also end on II7 (dominant substitute).〔Coker, et al (1982). ''Patterns for Jazz: A Theory Text for Jazz Composition and Improvisation'', p.118. ISBN 0-89898-703-2.〕 Thus when used in a twelve bar blues pattern, the twelfth bar may end on the dominant.〔 All of the chords in a turnaround may be seventh chords. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Turnaround (music)」の詳細全文を読む スポンサード リンク
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